Martin Mooney
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Flowers on a White ClothMartin MooneyView more details
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Flower Study IMartin MooneyView more details
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Still Life with Lilies and White Daisies, 2023Martin MooneyView more details
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Ballyfin Study I, 2024Martin MooneyView more details
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Cashel Landscape, 2024Martin MooneyView more details
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Ferryhouse, Lough Swilly, Donegal, 2024Martin MooneyView more details
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Lough SwillyMartin MooneyView more details
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Near Clifden, Connemara, 2024Martin MooneyView more details
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Reflections, Russborough House, 2024Martin MooneyView more details
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Connemara LandscapeMartin MooneyView more details
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Dublin Four CourtsMartin MooneyView more details
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Flower Study IIIMartin MooneyView more details
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Flowers on WhiteMartin MooneyView more details
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Evening ConnemaraMartin MooneyView more details
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Landscape, ConnemaraMartin MooneyView more details
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Connemara LandscapeMartin MooneyView more details
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Tree Study IMartin MooneyView more details
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Tree Study IIMartin MooneyView more details
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Spring FlowersMartin MooneyView more details
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Flowers in a glass vaseMartin MooneyView more details
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Tangerine & Red Tulips on Cloth, 2016-2023Martin MooneyView more details
Regarded as one of Ireland’s most accomplished fine art painters, Martin Mooney was born in 1960 in Belfast, Northern Ireland.
Mooney graduated from the Brighton College of Art & Design and the prestigious Slade School of Fine Art, where he completed his Master’s in Fine Art painting.
Mooney’s outstanding technical ability, together with his keenness to look to the past for inspiration, has gained him appreciation over the years from a number of admirers including his tutors at Slade, Euan Uglow and Sir Lawrence Gowing.
Since his first solo exhibition, Mooney has had numerous sell-out exhibitions in Dublin, London, Toronto and New York.
Mooney has been known to build up his paintings using glazed layers, often bathed in a golden hue. Whether his paintings are set in Dublin or Venice, Gerona or Donegal they all have a similarity. He paints architecture, countryside and still life using enriched tones, rich reds and pale blues.
In an exhibition in 2007, at the James Adam Auctioneers in Dublin, Mooney gave a new desire to paint looser floral still life and landscapes of Donegal. He wanted to challenge himself as an artist and create new subject matters, which has led him to be an even more accomplished painter.
Now based in rural Donegal, Mooney’s landscapes are informed by his absorption of plein air painting. His billowing cloud formations and insertions of unexpected colour epitomise Mooney’s new relationship with colour and form, along with a new sense of fluidity and freedom.
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