John Morris
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Blue HorizonJohn MorrisView more details
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Harbour ViewJohn MorrisView more details
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Family OutingJohn MorrisView more details
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Mother and DaughterJohn MorrisView more details
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Seapoint EveningsJohn MorrisView more details
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Dun Laoghaire from SandycoveJohn MorrisView more details
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Midday ReflectionsJohn MorrisView more details
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On the BeachJohn MorrisView more details
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Into the Light IIJohn MorrisView more details
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Along The ShoreJohn MorrisView more details
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Along the ShoreJohn MorrisView more details
John Morris was born in Dublin in 1958. He has been painting since the late 1990's and is primarily self-taught. Morris's paintings of streetscapes and landscapes are described with raw and vibrant brush strokes, giving his work great vitality and freshness. He demonstrates the ability to capture a glimpse of passing time and light. It is this observation of a moment and relaying it to canvas that Morris finds both exciting and challenging.
Morris has shown work in over fifty exhibitions across Ireland, including solo exhibitions in London and Gormleys. His work can be found in many collections including those of the Abbey Court Hotel, Nenagh, The National Council for the Blind of Ireland, Mount Juliet, Co. Kilkenny, Conor Lenihan Minister Of State, Aghadoe Heights Hotel Killarney, Co Kerry and The Parknasilla Hotel Collection. The Special Olympic Council presented Bertie Ahern with a painting of John's and he is also mentioned in Norman Teeling's book 'Norman Teeling paints the Irish landscape in oils'.
"My paintings are about light and the effects of light on objects such as figures, water and landscapes; they are about minute colour changes. Composition is important to me and I spend a lot of time getting it right before I paint. I make sketches with pencil, charcoal or oil. These sketches, along with photographs, make up a sort of visual diary which I use as reference material for my paintings. I make a quick charcoal sketch working out the composition that most appeals to me. I start to paint, quickly at first, then slowly as the painting becomes more resolved. I aim to make the work look fluid, spontaneous and not forced." - John Morris